• Home
  • About
  • Contact
Menu

The Ink and Code

  • Home
  • About
  • Contact

What’s Your Pleasure?

A gorge-fest of literary and artistic accomplishment. We celebrate the awesome.


Category:

  • Film 101
  • Randall Lotowycz 82
  • Reviews 77
  • Robbie Imes 50
  • Nerdy 35
  • Fantastic Fest 31
  • Books 16
  • Interviews 15
  • Words 9
  • Paul Florez 7
  • Comics 6
  • Fantasia Festival 5
  • Art 3
  • Franchise Explainer 3
  • NYC Horror Film Festival 3
  • Robbie and Randall 3
  • Theater 2

Featured posts:

Featured
The Alejandro Jodorowsky Primer
Jul 7, 2017
The Alejandro Jodorowsky Primer
Jul 7, 2017
Jul 7, 2017
A Colossal Interview with Nacho Vigalondo
Apr 6, 2017
A Colossal Interview with Nacho Vigalondo
Apr 6, 2017
Apr 6, 2017
Behind the Eyes of Kika Magalhães – An Interview
Nov 28, 2016
Behind the Eyes of Kika Magalhães – An Interview
Nov 28, 2016
Nov 28, 2016
colossalcover.0.jpg
Sep 29, 2016
‘Colossal’ – A Fantastic Fest 2016 Review
Sep 29, 2016
Sep 29, 2016
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
Oct 5, 2015
"The most expensive poster book ever made of movies no one’s ever heard of." – A Fantastic Fest 2015 Interview
Oct 5, 2015
Oct 5, 2015

agatha.jpg

The Horror Above – A Review of Agatha

February 13, 2017 in Film, Reviews, Randall Lotowycz

The orphan train comes daily, spilling hundreds of children onto the streets of Pennsylvania in the late 1800’s. Desperate and alone, the penniless 7 year old Sophie entrusts an older woman who hires her to bring food each night to someone living in her attic. There is just one rule: Do not pass the serving table….EVER. As time passes, the child’s curiosity grows bold; drawing her closer to discovering the truth behind the prisoner.

Agatha, a new short film written and directed by Timothy Vandenberg, is a tasty slice of Gothic horror served up in just under 10 minutes. An eerie atmosphere and mostly dialogue-free performance by Louise Ogle as the orphan Sophie transport viewers into this frightening snapshot of a nightmare. A sparse exchange and a couple of visual cues set up the plot as Sophie is hired by a woman (Penny Kohut) to serve food to an invalid residing in the attic – the titular Agatha (Jessica Farmer). The most we know about Agatha is that she suffers some form of facial deformity. She appears asleep whenever Sophie delivers the food to a serving table near the bed. The meals themselves appear to be uncooked organ meats. Sometimes Sophie finds empty plates awaiting her the next day, other times the food is untouched.

Every aspect of the short film is effective and expertly realized. The world Sophia and Agatha inhabit is fully established. Mysterious abound, none feel unintentionally ambiguous or unformed. Vandenberg teases viewers with the threat of imminent danger though the exact threat to Sophie isn’t clear until the trap is fully set around her. The young Louise Ogle remarkably carries the film after creating an immediate connection with viewers.  She’s brave and curious, and it’s heartbreaking to see she’s forced to take on this job in order to get by the few coins she earns from the task. You don’t want something bad to happen to her, but it feels inevitable. To much success, the sense of dread that builds throughout the film lingers long after the conclusion. I felt haunted by this film, which is probably the most succinct and fitting review I can provide without giving away spoilers.

Keep an eye out for the film in the festival circuit while Vandenberg readies a feature length adaptation. I can’t wait to see more of Agatha in the future. Just don’t leave me alone with her.

Tags: Randall Lotowycz
← Girls to the Front of the Screen – A Review of XXFive Films for the End of the World →
Back to Top

The Ink and Code was reborn in 2021.